This may be a long one, I apologize, but I have been thoroughly reading and taking note of this whole thread.
I can't specifically recall when I found myself at the pearly gates of the yesterweb. I would guess I stumbled upon it in 2021...But I definitely saw Sadness's website first on Neocities. More on that later.
The following is a little bit of background for those interested in how and why I found the yesterweb.
I think what happened on my end is that during 2020, I became enraptured by the Internet Archive, GifCities, the Macintosh Repository (Abandonware), and Sheepshaver (emulator for MacOS 9). I became engrossed in this
exploration of the past. With the tumultuous societal challenges and horrors that transpired during 2020, I found myself fascinated by civilization and how it changes over time. I realized that there had been endless amounts of history before this time. (obviously, I knew this but it never really settled in my head like this before). So, this led me to explore the past but a recent past,
the early internet. This possibly stemmed from influences like James Ferraro, Oneohtrix Point Never, and the overall Vaporwave scene. I found out about Vaporwave very late in the 2010's probably around 2017 when I heard George Clanton's album "Slide". Concepts like "hauntology", "hyperreality", and "hypnagogia" entered my world and haven't left.
I should also note, I am of the generation that was fully raised in the time of the Internet i.e. Zoomer. I VIVIDLY remember as a 6-year-old kid exploring the infancy of youtube and watching "Leave Britney Alone" and unfortunately the "you touched my tralala" song LOL. I have since been entrenched in all things Internet. So yes, I am also a nostalgia head just like everyone else here ahah.
I am about to type the following information because throughout this thread there is a discussion on the differing perspectives on what the Yesterweb was seeking to accomplish and how it was possibly lost during the growth. e.g. counter-cultural intentions, societal change and influence, nostalgia, and the organizer's system of creating this community.
madness wrote: ↑Sun Apr 09, 2023 11:35 pmThe manifesto does not clearly state the counter-cultural aspect, but it is implied. After all, what ultimately matters is how you put the manifesto into practice and not what the words in the manifesto actually say. If these writings are transforming you and your relationships with others, and you are in turn transforming others, then the counter-cultural transformation is happening even if you are not conscious of it in name-and-concept when it is happening.
madness wrote: ↑Mon Apr 10, 2023 11:03 am We learned through past experience that it was extremely hard to get people who don't care to start caring. Since that didn't work, we instead worked on a way to attract a new type of person. We weren't certain such people even existed, yet here you are, in the (virtual) flesh.
When I was a senior in high school, I had a sudden internal shift in how I should interact with this world. It was specifically an AP Art History class I took that pushed an internal reevaluation of what humanity is, and how I as a human being should interact with said humanity. I saw art pieces dated far in the past (and contemporary), yet had landmark historical significance containing heavy, challenging, brutal, and beautiful moments in human history that still evoked those emotions to this day. I recall seeing pieces like Manet's "Olympia", Duchamp's "Fountain", Grunewald's "Isenheim altarpiece", Basqiuat's "Horn Players", etc., and thinking "These artists, are using these pieces to convey a message, they are using their art as pure expression, unabashedly pushing themselves to evoke strong emotions for the sake of expressing a deep resonating experience which NEEDs to be discussed, challenged, and interpreted".
I said to myself "I wanna do that".
This internal revelation created a seed then that has slowly been growing into my own personal exploration of how I should reflect on and interpret this experience through art.
It was around this time that I thought of a personal philosophy for myself as I grow: "Don't disregard the information being taught as useless, because although it may be disconnected from the main interests one finds themselves in, it can be utilized for one's personal journey as tools for self-expression" I discovered this when I was taking biology in high school and found myself taking the diagrams of cells and using that as inspiration for my art.
I write this because of what I've seen in this thread. I feel as if, in music terms, we have hit the "pocket". This is the discussion I have been wanting and seeking for a
long time. What led me here might have been what Madness was talking about when bringing up searching for a new type of person. I just, unfortunately, came to it when it was too big and felt intimidated to ask to help. ALTHOUGH, I did get a chance to participate in the recent Zine which was a huge accomplishment on my end. I was going to eventually ask if you need help with the zine, and if you do
I am still highly interested and open to working on it with you all.
I became interested in the Yesterweb because it registered immediately in my head that it had intentions to create a community that challenged the never questioned ordained and curtained corporate web that has somehow attached itself like cancer to a once-believed concept of progressing human communication and knowledge through networks across the world.
Madness and the other organizers, I think having the foundation of a DIY community focused on self-expression where we can communicate based on shared interests created magic.
AuzzieJay wrote: ↑Sat Apr 15, 2023 5:48 pm
Techies and Artists - One of the coolest things of the YW was how we attracted artists AND techies. This cross-pollination was our greatest strength- but without the ability to use a common language- we could not coalesce the two groups.
When I was creating my website, my teacher, who was teaching CSS and HTML to students and was in the industry of all that Tech stuff, helped tremendously and was surprisingly open to helping me create my website. Of course he was a teacher so that may have been the reason ahah. Also during those four years, there would be annual Game Jams across different universities that all came together with different skill sets to create games. It was, in fact, a combination of artists and techies. I happen to be in the artist demographic of this example but to coalesce the two one could possibly use that model of making a sort of workshop environment to create websites or experiences. Which would be good for Madness's remark:
madness wrote: ↑Sun Apr 09, 2023 11:35 pm
Another thing I think would be cool is if we worked on collective websites rather than personal websites. Wouldn't it be really nice if you met people that you trusted enough and were comfortable enough with that you could share an account and build a website together?
Yet, with such a small amount of moderators how in the hell could this be organized? I sympathize with your frustration when you probably had these ideas already, but couldn't get to them due to a lack of manpower.
--
When Madness started going off about the counter-cultural intentions of the Yesterweb, I was utterly in awe. Mentally, I was jumping off the walls; I FOUND IT!
I cannot express how much I've been searching, NEEDING to be a part of something that defines the growing feeling of not being seen, not being perceived and understood by the mainstream. And by mainstream I mean the plasticity, vacuous hellscape of "everything is okay" consumerism. I PERSONALLY have felt that the very basic fundamental expression of our emotions, NEEDED to have a healthy society has been tarnished by this weird paradigm of ignoring key aspects of what being human is. It has been replaced by this odd commercialized husk that hides away any deep contemplation of Sex, Death, Self-Expression, Introspection, and ESPECIALLY
CHANGE. Things like Uber, Doordash, and Mark Zuckerberg's face come to mind when I think of this superficial "make everything efficient for the sake of progression" attitude. It's completely ignoring any facet of humanity and simplifies the intricacies of how we grow and transform over time. STAGNANT is the word that best describes the world right now for me. We are on the precipice of great change GOOD AND BAD and yet the powers that be are backtracking to keep us stuck in place.
In the U.S. specifically, in 2020, there was a huge wave of social activism and a zeitgeist-like feeling of almost breaching the surface; of finally breaking through this stagnant hell. It was the undulating undercurrents of rage, feeling ignored, and horrible acts of racism and DOMESTIC TERRORISM that exploded through the mainstream consciousness. I for one became extremely radicalized. I have been searching for people who share an interest in procuring a counter-cultural movement since!
For the last couple of years, I have been living halfway in the 60s. There is something that happened during that time that evokes a visceral exploration of humanity. From the Beatniks to the hippies the counter-cultural movement that happened during that time is romanticized in my head. I yearn to be a part of a greater artistic movement filled with the want to create a landmark in our timeline that is left for future generations to look back on as a backbone for when they experience life.
madness wrote: ↑Sun Apr 16, 2023 10:50 pm
If I could reduce my personal goal to a simple sentence, it is that I want to work to secure a modestly decent future for humanity. I believe you have shown me with your words and deeds that you carry the same goal within you. Even if we are sometimes worlds apart in our thinking, we have at least that one thing in common.
When I discovered Neocities for the first time (2021), I found Cinni's website. I was entering my senior year of college, they wanted us to create a thesis for our senior project that encapsulated our personal style and philosophy. When I saw websites like
Goblin Gamer, Melonland, and Cinni's Dream Home I felt the need to create something like that. I decided to focus my thesis on Internet Culture. My goal was to create an experience online in hopes to inspire future generations to search for self-expression even when met with limitations. This is where my website
UIFI_OSOS came from. I was so inspired by the Yesterweb, Cinni, and Melonking that I took it upon myself to use my senior year to research Internet History, which will be a memory of exciting journeys to the library and finding out they actually had books about web design and the history of the internet. I was stunned I found a niche topic that had decades of history to be plundered.
This community greatly affected my direction in my career as an artist and pushed me to explore not only the history of the internet and how it ties into its greater impact on society but also my personal relationship with it. No one was doing what I was doing in school, and I should add when I would present my progress on my website the professors would come at it from an angle of how it would work in the industry. They were always looking at how my project could be commercialized and consumed rather than experienced and influential to future generations for the mere fact of self-expression. But, I could see among my peers it made them happy, it made them excited to talk about how it used to be. It was nostalgic but also a reminder of what it could actually be like, that happiness and community can still be achieved, I think in some way they felt understood.
I'm glad we all found each other online to share that excitement of creating something that expresses something so innately human. It is something that can be easily lost, but this thread has some people who are stern in making it possible.
If you wanna reach out my email is
uifi.osos.wizard@gmail.com. This thread will keep me goin for a while. (ノ◕ヮ◕)ノ*:・゚✧